My heart jumps a little each time I discover a new chaotic, technical, or progressive act coming out of California, especially when it's coming out of the Bay Area. Although Freighter were originally conceived in Wisconsin in 2006, the band has since relocated to San Francisco, and today we have the pleasure of bringing you their first single in 11 years, "Psychic Reading '94." The band plays a blend of progressive metal and mathcore akin to SikTh, The Dillinger Escape Plan, Protest the Hero, and Cleric, with stop on dime changes, unhinged rhythms, and angular riffage, so y'all should eat this shit up.
This is the 23rd episode of Mathcast, in which we discuss Taken By the Tide, The Lord's Winning Team, Coarse, The Capgras Delusion, Needle Play, Things Amazing, Lower Automation, Koenji Hyakkei, Beast Jesus, and interview both MouthBreather and members of Detach the Islands following their performances at Mathcore Index Fest 2018 (featuring a small cameo from Edward B Gieda III of An Albatross fame).
The first of many professionally filmed sets from Mathcore Index Fed 2018, Brooklyn based mathcore band, Juan Bond - July 14th at Saint Vitus Bar, Brooklyn, NY.
Ontario's The Vilification are back with their first new material in over 2 years, and today we have the pleasure of bringing you a track from their new EP, "The World Owes You Nothing." Unlike their previous instrumental efforts, the band have returned with the addition of a vocalist and seem to have shed the majority of their "djent" or progressive metal elements in favor of a more raw and aggressive hardcore sound. "Through Iron Sights" showcases the band's new direction and will be sure to please fans of heaviness and gross guitar harmonies a la The Tony Danza Tapdance Extravaganza, Frontierer, and Fall In Archaea.
*The Vilification are to release their new EP "The World Owes You Nothing" in March of 2018.
It's been nearly 5 years since the release of "A Conundrum on the Coffee Table," the debut EP from Leeds mathcore / progressive metal act, II II II. The band made their triumphant return about 3 weeks ago with a series of short teasers and today we have the pleasure of bringing you "Recline and Fall," the groovy second track from their new album, "Frequency Illusion." The band is well known for their technical, yet catchy approach, which could be compared to Patton-era Dillinger Escape Plan, or the likes of their contemporary U.K tech-metallers in SikTh and Mr. Bungle acolytes, Down I Go, and this song is certainly no exception. II II II skillfully navigates their way through a number of shifting time signitures, while still bringing you something to which you can bob your head, and it does not relent. The band understands the fine line between introducing accessibility while still retaining what I would call a musician's appeal, and consistently bring you roughly 2 minute tracks of mid-tempo grooves and stop-on-a-dime time changes.
*II II II are to release "Frequency Illusion" September 22nd via their Bandcamp.
Canada's Slagduster are back with their first new material in over 6 years, and they are groovier than ever. Heaviness and stop on a dime time changes a la Meshuggah, SikTh, and Car Bomb are frequently employed by the band, with the vocals maintaining a Mike DiSalvo-like lower mid-range punch. Their new album, "Deadweight," is slated for a May 5th release, and today we have the privilege of premiering a new song from the album, "Profane Puppet," which is 4 and a half minutes of obnoxiously bouncy riffage garnished with plenty of artificial harmonics, and that's...well, that's just great.
I hate ranking things I love (especially when it comes to music), and because this year was so exceptionally challenging, I decided to organize my lists based upon pure volume of listens. I also took the time to make a list for unsigned/underground acts, another for signed/major acts (bands that are well known within our scene), and finally 2 smaller lists for EPs and honorable mentions, respectively. Lastly, most of these bands appear on our compilations, so hopefully that doesn't come as a surprise. Allons-i.
Paul Hundeby (also of City of Ifa and City Pro Recordings), the mastermind behind this once one-man project, wrote and recorded all instruments as well handling all engineering and production duties on this powerhouse of a record. I love this record because each song holds truly memorable passages, and I find myself absentmindedly humming the riffs a lot. Arms shared the stage with many notable national touring acts in 2016, and this year they are making their first European appearance along with our friends in Frontierer at Complexity Fest 2017, which is sponsored by Mathcore Index.
"To Cast the First Stone" recalls the chaos of "Solace" while still retaining the heaviness of "Minus the Herd," and, simply put, is a banger. Many thanks to Good Fight Music for allowing them to appear on our second compilation, Mathcore Index: Volume 2.
The perfect band, and a perfect end (allegedly) to their career. I would say music is better now, them having existed, and there is no band more influential in our scene.
Here I have included my Bandcamp review for "Meta," as it still seems the most effective description:
"Absolutely outstanding and incredibly innovative, Car Bomb are one of the most compelling bands in extreme music, and they have truly outdone themselves (again) with "Meta." I could continue heaping praise or add comparisons to other bands, but the fact is: there is no comparison to Car Bomb."
We are proud to present to you our second compilation, Mathcore Index: Volume 2, featuring nearly 30 unique underground artists from around the globe. Artwork by the supremely talented Karl Frandsen, layout by Tamás Bakó, and original logo by Keith Carlson.